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“We spent so much time over there that we ended up dating German girls,” says Backstreet Boy Howie Dorough.

“We called America ‘No-Fan-Land.’” But Jive’s South African–born founder Clive Calder, who would also preside over (and monumentally profit from) the careers of teen pop superstars Britney Spears and ‘N Sync, saw a steamship-sized gap in the marketplace: By 1998, adolescent girls were spending billion annually.

“We all looked at each other in amazement.” “It was like a state of emergency out there,” says Dorough. One of the recurring bits we did was having guests draw a self-portrait.

Where typically a couple hundred kids might amass after school on the sidewalks, “5,000 kids showed up. We couldn’t have gone down to the street if we wanted to. And after his appearance — and it was an unnerving appearance — I looked at his drawing.

saw fit to embed a reporter in a Connecticut suburb for an 8,000-word explainer called “The Secret Life of Teenage Girls,” as if high-school-age boy-band fans were a lost tribe of the Amazon. But once the fans banded together and forced MTV’s hand, they didn’t have a choice.” Backstreet, ‘N Sync, Britney, and Christina Aguilera videos became so dominant that producers invented a rule whereby videos that spent 65 days at No.

Barry Weiss, then president of Jive, recalls Calder coming back to the New York office after one his many jaunts abroad. ” ’s first-ever countdown, the show’s cultural identity would be permanently forged, when Backstreet’s “I’ll Never Break Your Heart” and ‘N Sync’s “Tearin’ Up My Heart” came in at Nos. “MTV had to play the video because the fans wanted it,” says Backstreet’s AJ Mc Lean, recalling that the network barely aired their earlier video “Quit Playing Games With My Heart.” “A bunch of guys in linen shirts dancing in the rain showing off their abs? 1 were “retired,” in order to allow other acts, and their fan armies, to taste victory.

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During a three-day span in May 1999, the Backstreet Boys shut down Times Square not once but twice, when they appeared first on a Sunday afternoon “Backstreet Boys Live” two-hour special, and then again on Tuesday’s would be the best-selling album of 1999, moving 9.5 million copies.) “The police came and asked us to lower the studio blinds because kids were backing up into traffic,” remembers Kusbit. I remember Mel Gibson rolling in, and he was not in the mood to be there.

enjoyed a ten-year run, but, bound to the teen-pop boom, it pretty much peaked in 1999.

Viewership would decline more or less every year thereafter, until MTV finally pulled the plug, after 2,247 episodes, in November 2008.

It was terrifying, and in bold letters he’d written, ‘I offer you my decrepit soul.’” Scenes of pandemonium became commonplace, but Healy says that few guests could remain unaffected by the intensity of the moment. I was like, dude, Marshall is crying.” wasn’t all fidelity-pledging boy bands and bubblegum ingenues proffering impeccably written and produced Max Martin songs (would that it were).

“Eminem came on, and he was so moved by the number of people out there that he was brought to tears. Musical acts of all denominations, with the exception of anything vaguely alt-hipster, got love on , especially the aggro antidote to teen-pop gush: rap-rock, from Limp Bizkit and Korn in particular, often dueled with Jive’s holy trinity for glory at the top of the countdown.Daly left in 2003, and now hosts the musical talent show .

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